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W H O W O U L D J E S U S B O M B ? ? ?
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Ain't No Looking Back based on the life of American baseball legend Leroy Satchel Page, who is credited with first saying: “Don't look back, something might be gaining on you”, apparently derived from the Old Testament story of Lot and his wife fleeing Sodom. Who Would Jesus Bomb? inspired by New Orleans blues artist Chris Thomas King's “What Would Jesus Do?”, as well as signs and bumper stickers everywhere; “signs, signs, everywhere there's signs”. Before They Care dedicated to We The People of the 21st Century, victims of the most corrupt, knee-jerk and totally incompetant congress in the history of the United States, if not the world. Where Were You? in memory of the students of Kent State University and Jackson State University, May, 1970; “Oh when will we ever learn?". Dedicated to America's friend, Neil Young. Inspired by Richard Holler's 1968 tribute Abraham, Martin and John, recorded by Dion, Emmylou Harris, others; based on the slave anthem Were You There?, traditional. Brother Martin dedicated to Coretta Scott King and Yolanda Denise King; for Martin Luther King III, Dexter Scott King and Bernice Albertine King. Intro and final two lines from the slave anthem Oh Freedom; traditional. "Greater love has no one than this, than to lay down their life for their friends." - Jesus of Nazareth, founder of Human and Civil Rights Future inspired by the “reverence for life” philosophy of Albert Schweitzer. Dedicated to Jacques Yves Cousteau, Al Gore, Melissa Etheridge. . . and our future. Don't Do Nuthin' inspired by Stanley Mooneyham, former president of World Vision, International, who replied when asked in an interview why he would try to relieve hunger and disease in Africa, while it may seem so hopeless to even try: “Don't do nothing, just because you can't do everything.” Within You and Me based on the far beyond liberal "good news" of Jesus of Nazareth. Dedicated to Mohandas K. Gandhi, whose personal example reflects the message of Jesus more than all of the conservative Christian religious combined, to César Estrada Chávez and to Dolores Huerta: “Let my people go.” Stop the World second chorus inspired by Arlo Guthrie's "Last Train"; one of Woodstock Generation's best songs. Save Us All dedicated to Rev. Al; the only preacher in America worth listening to and, to Bob Dylan: "The priest wore black on the seventh day and sat stone-faced while the building burned" - Idiot Wind; Blood on the Tracks (1975). Homeless Joe loosely based on Genesis Chapter 37. Written on July 7th, 2007 on the eve of the Live Earth Concerts for Climate Change. Dedicated to Ravi Shankar and George Harrison and friends who showed the way, with the Concert for Bangladesh in 1971. Since then, there have been many major concerts held in the the United States and elsewhere, for a lot of worthy causes. Yet, the sick and poor who live on the streets of major nations around the world, continue to be left to fend for themselves. For many years, activists have tried in vain to organize a major benefit to challenge and inspire people to help the homeless on a national and global level. Why can't music artists around the world seem to understand the public awareness necessity and national and global motivational importance, of staging significant benefits for the homeless men, women and children who camp under bridges, in parks and in the back alleys and public streets of our own so-called "developed world" backyards? Homeless Statistics and information. Here in America for my friend Alex of Brooklyn, New York, who was on the bridge September 11, 2001 when the first tower was struck. Kingdom Come based the book of Revelation, which may be somewhat different than what you heard in Sunday school, but not all that different from what you may recently have seen on a PBS science program or read in the morning paper. So Shall it Be based on selected teachings of Jesus of Nazareth, who is called Messiah. When "Our Lady of Liberty" is "sailing away to sea", our false gods of Christianity and science will no longer be able to pretend that nobody warned us. Shepherd based on Psalm 23; many if not all of the Hebrew psalms were originally set to music and many, similar to American slave anthems (see note below), were intended for socio/political motivational purposes. NOTE: The term "slave anthem" is used above because that is what they are, the very greatest of all human art, written on the hearts of the extremely oppressed; literature that cannot ever be equaled or fully appreciated by someone who has not themselves, been in similar circumstances. To refer to them as "negro spirituals" or "spirituals" or anything else other than what they are, represents a travesty of justice and deliberate "white-washing" of the truth and, a callous and calculated disregard for the known shameful facts of American and world civilization history. |
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{ songs in alphabetical order ~ click on song
titles for lyrics } Ain't No Lookin' Back ~ America Never Will ~ Before They Care ~ Boulevard ~ Brother Martin Don't Do Nuthin' ~ Everybody Fly Away ~ Future ~ Gotta Be a Little Bold ~ Here in America ~ Homeless Joe ~ Kingdom Come ~ Save Us All Shepherd ~ So Shall it Be ~ Stop the World ~ Where Were You? ~ Who Would Jesus Bomb? ~ Within You and Me |
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WHO WOULD JESUS BOMB? Copyright © 2008 by Freedom Tracks Music. All Rights Reserved. Recorded and mixed at Denny Martin Studios, Nashville, Tennessee Mastered at Sonic Eden Studios by Jon Albani ~ Nashville, TennesseePublished by Freedom Tracks Music (ASCAP) ~ a Freedom Tracks recording ~ Nashville, TN | ![]() |
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Freedom Tracks Records ~ Nashville, Tennessee ~ ( 615 ) 889-1669 ~ ( 800 ) 992-8084 |